A few weeks ago I went to the Zen Meditation Center in Hamilton, Ohio, and experienced my first Zen Meditation (sangha) with a lovely, lovely group of people. I meditate daily and try to get in group meditation as often as possible, but had never experienced meditation quite in this way. Whereas my Hindu-based meditation contains chanting in sanskrit, mantram repetition and silent meditation, this center utilized quick chanting in Korean and both sitting and walking silent meditations.
The rundown
Observations of the space:
The quiet, carpeted room had large pads set up in a square with cushions on each, all facing the center and near a small alter. Each participant would sit facing another, and there was plenty of room around this square for movement. Upon entering and exiting the room, participants would bow slightly. I’m not sure who the figure was on the alter, but it was flanked with candles and not much else.
The process:
A ringing-bowl was run to signify the start of the session, and all bowed in time as we sat in our various positions. Then a leader led a few prayers that we read from sheet held chest-height, bowing sometimes before and after as the leader stated the name. Some chants were kept in time with a wood block or other instrument; some were call-and-response for periods while others were in unison. While I’m moderately comfortable reading new chants in sanskrit, I found this language foreign to my tongue but still rather familiar in spirit. I later found out that, as in sanskrit chanting and mantras, it is more the sound rather than the meaning of words that are repeated.
After chanting we fell softly into silent meditation.
At the end of about 30 minutes, a chime sounded and we were advised to begin about 20 minutes of walking meditation, of kinhin, which would be ended with another chime. “In kinhin, we fold our hands in front at about the level of the heart. The right hand is made into a fist, with the thumb tucked in, and held to the chest, palm down. The left hand is placed, palm down, on top of the right. The arms are held level, with elbows projecting at the side.
Walk slowly and deliberately, placing one foot in front of the other. Your attention is placed on the feeling of walking: Notice how your feet touch the floor, how your muscles contract and relax as you take each step. If you make a misstep, simply experience that and let it pass. If your mind wanders, return your attention to the slow, deliberate movement of ‘just walking.’” (Source, MKZC)
After kinhin we sat for another 30 minutes of meditation, and closed with a bit more chanting and final bow to all.
Observations of experience…
I was slightly concerned that my form of meditation would distract my energy and make me feel like an outsider at this sangha. Not because of my not wanting to embrace this new form, but because my own practices are somewhat instilled in me and therefore must be a bit obvious in my energy. I was wearing one of my favorite tees with Ganesh on it and my mala beads were lovingly draped around my neck before and were running between my fingers during silent meditation. And as I was not used to the language we were chanting in nor the melodies that were repeated, I felt my “green-ness” would be obvious.
Instead, I had one of the most enjoyable experiences of my life. The energy in the room and between beings was truly beautiful, powerful and focused. I attribute this to the fact that we were all seated facing a central point rather than all towards an alter. As my heart embraced these people and pattern, so I felt my own attributes welcomed.
I particularly enjoyed the walking meditation. During college I was mildly trained in an acting technique called Suzuki, a Japanese practice that includes something called “The Slow Ten”, where the lower body moves in fluid motion while the upper body is deliciously still. While it’s been years since I’ve done Suzuki, the training made kinhin extra delightful: I was able to utilize motions that were engrained in my body while fully committing to the specific moment of movement. Something deep inside me would say “stop” or “hold” or “move” or “turn”, and I was merely an instrument of inner guidance.
I was very moved and inspired by the loving and peaceful energy of the sangha, and look forward to returning soon.